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Mexican Migrants in Three Canadian Films: A Minimum Filmography

dc.provenanceEl documento original impreso/digital se encuentra en resguardo del Centro de Investigaciones sobre América del Norte de la Universidad Nacional Autónoma de México. Proyecto CISAN, Memoria Institucional
dc.rights.licensehttp://ru.micisan.unam.mx/page/terminos
dc.contributor.otherVelasco Montante, Astrid
dc.coverage.spatialCanadá
dc.coverage.spatialMéxico
dc.coverage.temporals. XX- s. XXI
dc.creatorMartínez-Zalce, Graciela
dc.date.accessioned2024-02-16T22:24:26Z
dc.date.available2024-02-16T22:24:26Z
dc.date.issued2021-10
dc.identifier.isbn978-607-30-5206-1
dc.identifier.urihttps://ru.micisan.unam.mx/handle/123456789/1119
dc.formatapplication/pdf
dc.format.extentpp. 209-224
dc.language.isoeng
dc.publisherUniversidad Nacional Autónoma de México, Centro de Investigaciones sobre América del Norte
dc.relation.isformatofprint
dc.relation.ispartofMigration and Borders in North America: views from the Twenty-first Century
dc.relation.requiresAdobe Acrobat
dc.subjectCiencias sociales
dc.subject.lcshNorth America—Boundaries
dc.titleMexican Migrants in Three Canadian Films: A Minimum Filmography
dc.title.alternativeCultural representations through and narratives
dc.rights.holderUniversidad Nacional Autónoma de México, Centro de Investigaciones sobre América del Norte
dc.audienceEstudiantes
dc.audienceMaestros
dc.audienceInvestigadores
dc.coverage.placeofpublicationMéxico
dc.description.extractThis chapter studies two documentaries and a fictional short subject produced by Canada’s National Film Board (NFB) in the late twentieth and the early twenty-first centuries. In all three, Mexican immigrants are leading characters in different ways relating to their immigration status. These films are examples of the determination to critically analyze certain government policies, both in Mexico and in Canada, and certain de facto situations in which filmmakers who represent one of the most respected Canadian institutions, the NFB, find themselves. Their productions offer us their personal interpretations based on an explicit commitment to the films’ protagonists. Today, the National Film Board’s mission is to ensure that films reflect Canada and the issues important to Canadians both at home and abroad, through the creation and distribution of innovative, distinctive audiovisual works based on Canadian points of view and values. In the catalogue, of the films dealing with Mexico (in addition to those I will analyze here), we basically find productions that analyze the economy and its social and political consequences.
dc.educationlevelMedio superior
dc.educationlevelSuperior
dc.educationlevelPosgrado
dc.identifier.bibliographiccitationMartínez-Zalce, Graciela, “Mexican Migrants in Three Canadian Films: A Minimum Filmography”, en Migration and Borders in North America: views from the Twenty-first Century. México: Universidad Nacional Autónoma de México, Centro de Investigaciones sobre América del Norte, 2021, 209-224 pp.
dc.identifier.cisanL0158_0209
dc.identifier.conacytCONACYT
dc.identifier.isnihttps://isni.org/isni/0000000026861416
dc.identifier.orcidhttps://orcid.org/0000-0001-7162-3297
dc.rights.accesslevelopenAccess
dc.rights.creativecommonshttp://creativecommons.org/licenses/by-nc-nd/4.0
dc.subject.conacyt4
dc.subject.unamMigración-- Cine documental-- Cine de ficción
dc.type.spabookPart
dc.view.accesslevelDISPONIBLE
dc.date.copyrighted2021


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