Civilization Ends Where Grilled Steak Begins: Cultural Representations of the Sonora-Arizona Border in Film
dc.provenance | El documento original impreso/digital se encuentra en resguardo del Centro de Investigaciones sobre América del Norte de la Universidad Nacional Autónoma de México. Proyecto CISAN, Memoria Institucional | |
dc.rights.license | http://ru.micisan.unam.mx/page/terminos | |
dc.contributor.other | Velasco Montante, Astrid | |
dc.coverage.spatial | Canadá | |
dc.coverage.spatial | México | |
dc.coverage.temporal | s. XX- s. XXI | |
dc.creator | Coronado Guel, Luis | |
dc.date.accessioned | 2024-02-16T22:24:27Z | |
dc.date.available | 2024-02-16T22:24:27Z | |
dc.date.issued | 2021-10 | |
dc.identifier.isbn | 978-607-30-5206-1 | |
dc.identifier.uri | https://ru.micisan.unam.mx/handle/123456789/1120 | |
dc.format | application/pdf | |
dc.format.extent | pp. 225-242 | |
dc.language.iso | eng | |
dc.publisher | Universidad Nacional Autónoma de México, Centro de Investigaciones sobre América del Norte | |
dc.relation.isformatof | ||
dc.relation.ispartof | Migration and Borders in North America: views from the Twenty-first Century | |
dc.relation.requires | Adobe Acrobat | |
dc.subject | Ciencias sociales | |
dc.subject.lcsh | North America—Boundaries | |
dc.title | Civilization Ends Where Grilled Steak Begins: Cultural Representations of the Sonora-Arizona Border in Film | |
dc.title.alternative | Cultural representations through and narratives | |
dc.rights.holder | Universidad Nacional Autónoma de México, Centro de Investigaciones sobre América del Norte | |
dc.audience | Estudiantes | |
dc.audience | Maestros | |
dc.audience | Investigadores | |
dc.coverage.placeofpublication | México | |
dc.description.extract | Beyond superficial conjectures, this work analyzes scenes of film productions that portray or represent the dynamics, landscapes, or characters of the Sonora-Arizona border, taking into consideration their singularities in what has been called “border cinema.” These cultural representations constitute literary and cinematographic tropes with profound narrative roots and dynamics that reflect fears, aspirations, world views, imaginaries, phobias, and ideologies that often do not accurately reflect the reality of life on the border, but which film was the main promotor of until they became conventions like those reflected in American Westerns. In principle, Ginzburg’s method is very useful for understanding, deciphering, deconstructing, and tracing a cultural representation found in the films that portray the Sonora-Arizona border. | |
dc.educationlevel | Medio superior | |
dc.educationlevel | Superior | |
dc.educationlevel | Posgrado | |
dc.identifier.bibliographiccitation | Coronado Guel, Luis, “Civilization Ends Where Grilled Steak Begins: Cultural Representations of the Sonora-Arizona Border in Film”, en Migration and Borders in North America: views from the Twenty-first Century. México: Universidad Nacional Autónoma de México, Centro de Investigaciones sobre América del Norte, 2021, 225-242 pp. | |
dc.identifier.cisan | L0158_0225 | |
dc.identifier.conacyt | CONACYT | |
dc.identifier.isni | https://isni.org/isni/0000000078926939 | |
dc.rights.accesslevel | openAccess | |
dc.rights.creativecommons | http://creativecommons.org/licenses/by-nc-nd/4.0 | |
dc.subject.conacyt | 4 | |
dc.subject.unam | Migración-- Cine de fronterizo-- Representación | |
dc.type.spa | bookPart | |
dc.view.accesslevel | DISPONIBLE | |
dc.date.copyrighted | 2021 |
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