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Civilization Ends Where Grilled Steak Begins: Cultural Representations of the Sonora-Arizona Border in Film

dc.provenanceEl documento original impreso/digital se encuentra en resguardo del Centro de Investigaciones sobre América del Norte de la Universidad Nacional Autónoma de México. Proyecto CISAN, Memoria Institucional
dc.rights.licensehttp://ru.micisan.unam.mx/page/terminos
dc.contributor.otherVelasco Montante, Astrid
dc.coverage.spatialCanadá
dc.coverage.spatialMéxico
dc.coverage.temporals. XX- s. XXI
dc.creatorCoronado Guel, Luis
dc.date.accessioned2024-02-16T22:24:27Z
dc.date.available2024-02-16T22:24:27Z
dc.date.issued2021-10
dc.identifier.isbn978-607-30-5206-1
dc.identifier.urihttps://ru.micisan.unam.mx/handle/123456789/1120
dc.formatapplication/pdf
dc.format.extentpp. 225-242
dc.language.isoeng
dc.publisherUniversidad Nacional Autónoma de México, Centro de Investigaciones sobre América del Norte
dc.relation.isformatofprint
dc.relation.ispartofMigration and Borders in North America: views from the Twenty-first Century
dc.relation.requiresAdobe Acrobat
dc.subjectCiencias sociales
dc.subject.lcshNorth America—Boundaries
dc.titleCivilization Ends Where Grilled Steak Begins: Cultural Representations of the Sonora-Arizona Border in Film
dc.title.alternativeCultural representations through and narratives
dc.rights.holderUniversidad Nacional Autónoma de México, Centro de Investigaciones sobre América del Norte
dc.audienceEstudiantes
dc.audienceMaestros
dc.audienceInvestigadores
dc.coverage.placeofpublicationMéxico
dc.description.extractBeyond superficial conjectures, this work analyzes scenes of film productions that portray or represent the dynamics, landscapes, or characters of the Sonora-Arizona border, taking into consideration their singularities in what has been called “border cinema.” These cultural representations constitute literary and cinematographic tropes with profound narrative roots and dynamics that reflect fears, aspirations, world views, imaginaries, phobias, and ideologies that often do not accurately reflect the reality of life on the border, but which film was the main promotor of until they became conventions like those reflected in American Westerns. In principle, Ginzburg’s method is very useful for understanding, deciphering, deconstructing, and tracing a cultural representation found in the films that portray the Sonora-Arizona border.
dc.educationlevelMedio superior
dc.educationlevelSuperior
dc.educationlevelPosgrado
dc.identifier.bibliographiccitationCoronado Guel, Luis, “Civilization Ends Where Grilled Steak Begins: Cultural Representations of the Sonora-Arizona Border in Film”, en Migration and Borders in North America: views from the Twenty-first Century. México: Universidad Nacional Autónoma de México, Centro de Investigaciones sobre América del Norte, 2021, 225-242 pp.
dc.identifier.cisanL0158_0225
dc.identifier.conacytCONACYT
dc.identifier.isnihttps://isni.org/isni/0000000078926939
dc.rights.accesslevelopenAccess
dc.rights.creativecommonshttp://creativecommons.org/licenses/by-nc-nd/4.0
dc.subject.conacyt4
dc.subject.unamMigración-- Cine de fronterizo-- Representación
dc.type.spabookPart
dc.view.accesslevelDISPONIBLE
dc.date.copyrighted2021


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